Jealousy party, active Florentine ensemble from 1995, rape the suggestions of the free music (jazz and not only), avant-rock , the disturbed and unsociable electronics, squirts of songs, saxs, laptop and cds in flames and histrionic vocal manipulations. The mutant project expresses with delirium and destructured transparency the synthesis among creative astractism, expressive urgency, mad avant-gardist, theatricality and punk attitude. More info»
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Pieces of Ronin, R.U.N.I., Pin Pin Sugar, Mondongo, Satan Is My Brother turned into an epic distorted anthemic synthetic whatever. Eight string bass, synth, drums and three voices singing along. Limited edition of 300 numbered 12" black vinyl records with hand silkscreened cover. More info»
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Featuring members from R.U.N.I., Pin Pin Sugar, Ronin and Mondongo, here is Quasiviri's space epic rock! More info»
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Dal 1994, dal fosco hinterland milanese, i R.U.N.I. spaccano.Ecco il loro disco nuovo "Fula Fula Fular", solo su vinile 10", copertina ipercolorata ed iperaffollata. In regalo un CDr con il medesimo contenuto + contenuti video. More info»
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One year after previous s/t full-lenght, italian Rosolina Mar are back with a more decisive step into 7o's electricity. - Notwistanding the same past passion for half-demential titles; They dive into wha-wha driven suites, almost embracing acid jazz in some hot pursuits à la Harry Callahan, even if it stays still after behind the corner the warm splendour of funky mono. - Regarding, listen to Isa Eyes, unique track with two words vocals, - or short and intense Tuttopapetti e Protopapetti. Then, while the title-track as well as Car Patch (D-tone) turn on the free-jazz side of two guitars & drums ensemble, Flesh Dance brush by the fusion music school, putting aside melancholy, but focusing on excitement of the rythm section changes. More info»
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Paranoia, second act. THE PORNOGRAPHY seems don't care about communication, but they always provoke strong reactions. The first album CAR released in '99 obtained positive and also negative strong reactions, but never indifference. They caught up their goal, an important goal for people who makes music in order to extend the own emotion on the instrument. In WRITE, READ, CANCEL the things that change is the musical way, absoltely more open in the structure and in his style : Drums becomes 'real' instead of electronic, digital clips and bugs, sampler and saturations in order that any arpeggio doesn' t represent a single moment of breath in to the falling down. And, like every intense emotion, it's short. There's no intention to appeal everybody, to enjoy them you don't need only love the music style (which one?) or to appreciate a sound, you also need to have a good relationship with the insane part of your mind. Like a CRONENBERG movie or an ELLROY book . Otherwise, it's better to stay far. More info»
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